托福阅读30分是怎么考出来的?满分学霸分享提升正确率经验,今天给大家带来了托福阅读满分学霸分享提升正确率经验,希望能够帮助到大家在托福考试中拿高分,下面小编就和大家分享,来欣赏一下吧。
托福阅读30分是怎么考出来的?满分学霸分享提升正确率经验
托福阅读提升正确率初期备考心得
在备考初期,要做的第一件事就是背单词。单词就是阅读文章这栋大厦的砖瓦,没有单词量,大厦建不好的。我一开始也是背《21天搞定托福单词》,后来发现老背都背不住,后来我就开始背四级单词,把四级单词熟悉到95%左右的时候我就开始再背托福,发现轻松很多。所以我建议不管六级分数有多高的,还是背背四级的单词。 当词汇量积攒到了一定程度的时候,就可以开始做题了。做题首先需要了解题型。强烈建议看OG!了解完题型之后就得开始做题了。
托福阅读提升正确率如何兼顾速度?
我们通常会遇到一个问题,求速度还是求正确率?
我的意见就是没有正确率做再快也没用。来分析一下为什么速度不快而且还做错?刚开始做可能一篇需要花30分钟甚至更长,那是因为我们对于单词反应能力不快和对句子结构不明确造成的。单词问题很好解决就是背,语法呢?我觉得中国考生最厉害的估计是语法了吧,但是为什么还是会对句子结构不明确呢?因为我们都是对语法有个认识,而不知道怎么去用。而托福阅读正好是考我们怎么去运用语法,所以照成很多细节题会出错。这个问题我相信大部分同学和我一样都遇到过。我就开始抓自己的语法了。我用的是《张道真实用英语语法》这本书,网上貌似有PDF版的下载,有需要可以去下载看看。我不是从第一页看到最后一页的看这本语法书,我是把它当成字典来用。就是只要在阅读中遇到不明白的句子,我就用这本书去查这句语法是怎么回事。积累多了阅读速度立马快了起来。这时候有同学会觉得好麻烦,那真的如果想拿高分的话,就得查啊!还有就是碰见一些专业词汇不认识怎么办的问题,我的经验就是查出来背下,这样下次遇到同一话题的题目看得懂了。这样我们就解决了速度问题。
正确率怎么提高呢?逐渐对语法的熟悉和单词的熟悉,来提高对选项的认识了。我的方法就是做完题目之后分析自己选错的选项设置和为什么做错了。然后我再分析做对的题的错误选项为什么是错的。这样做多了就会有一个自己做题的感觉了。希望有兴趣攻克阅读的同学可以试一试,我觉得效果很好。
托福阅读备考如何使用官方真题Official教材?
做完题是不是就把官方真题Official丢一边了呢?我觉得有点浪费了。我把官方真题Official阅读10-24做了三遍,然后把自己错的多的文章翻译成中文。这样再遇到同一个话题的文章的时候,思路就很清晰了。有的人问我做过一次答案不就记住了么?真心觉得是我记性不好,第二遍做还是会做错,一样记不住答案。不知道其他做了多遍官方真题Official的同学有没有这个感觉。还有,不用每篇都是翻译,翻译10篇左右自己不熟悉,错的多的话题就OK了。
托福阅读长难句分析:嗅觉交流
The importance of olfactory communication (using odors to communicate) in the way of life of deer was documented by a study of captive adult male deer a few decades ago, which noted that males rubbed their foreheads on branches and twigs, especially as autumn approached. (TPO28, 45)
olfactory /ɒl'fækt(ə)rɪ/ adj. 嗅觉的
document /'dɒkjʊm(ə)nt/ vt. 用文件证实或证明(某事)
captive /'kæptɪv/ adj. 被捕获的,被俘虏的
twig /twɪg/ n. 嫩枝
approach /ə'prəʊtʃ/ vt. 接近, 靠近
大家自己先读,不回读,看一遍是否能理解
The importance (of olfactory communication) (using odors to communicate) (in the way of life of deer) was documented (by a study of captive adult male deer a few decades ago), (which noted)(that males rubbed their foreheads on branches and twigs), (especially as autumn approached). (TPO28, 45)
托福阅读长难句分析:
这个句子的主干就是:
The importance was documented
修饰一:(of olfactory communication),介词短语
中文:嗅觉交流
修饰二:(using odors to communicate),非谓语动词
中文:使用气味去交流
修饰三:(in the way of life of deer),介词短语
中文:在鹿群生活方式中
修饰四:(by a study of captive adult male deer a few decades ago),介词短语
中文:一个关于被捕获的成年雄鹿的研究
修饰五:(which noted),从句
中文:研究提到
修饰六:(that males rubbed their foreheads on branches and twigs),从句
中文:雄鹿会在树枝和嫩枝上摩擦前额
修饰七:(especially as autumn approached),从句
中文:尤其当秋天临近时
托福阅读长难句参考翻译:
嗅觉交流(使用气味去交流)在鹿群生活方式中的重要性,被几十年前一个关于被捕获的成年雄鹿的研究证实,这个研究提到:尤其当秋天临近时,雄鹿会在树枝和嫩枝上摩擦前额。
这个句子的主要修饰成分就是介词短语、从句和非谓语动词,大家务必想清楚,每一个修饰成分修饰的是什么,才能看清楚这个句子的结构。
托福阅读长难句分析:释放水动能
They revealed output powers ranging from about 1 horsepower to perhaps 60 for the largest wheels and confirmed that for maximum efficiency, the water should pass across the blades as smoothly as possible and fall away with minimum speed, having given up almost all of its kinetic energy. (TPO29, 48)
blade /bleɪd/ n. (刀﹑ 剑﹑ 凿等的)刃;(划水桨﹑ 螺旋桨﹑ 锹﹑ 铲﹑ 板球击球板等的)扁宽平面部分
kinetic /kɪ'netɪk/ adj. 运动的,运动引起的
大家自己先读,不回读,看一遍是否能理解
They revealed output powers (ranging from about 1 horsepower to perhaps 60) (for the largest wheels) and confirmed that (for maximum efficiency), the water should pass across the blades as smoothly as possible and fall away with minimum speed, (having given up almost all of its kinetic energy).(TPO29, 48)
托福阅读长难句分析:
这个句子主干就是:
They revealed output powers and confirmed that
宾语从句的主干:the water should pass across the blades as smoothly as possible and fall away with minimum speed
中文:水应该从叶轮上尽可能光滑地流过,并以最小的速度流走
修饰一:(ranging from about 1 horsepower to perhaps 60),非谓语动词
中文:输出功率范围是从1马力到水轮可能输出的60马力
修饰二:(for the largest wheels),介词短语
中文:对于水轮
修饰三:(for maximum efficiency),介词短语
中文:为了达到效率
修饰四:(having given up almost all of its kinetic energy),非谓语动词
中文:释放水的几乎所有动能
托福阅读长难句参考翻译:
它们(调查)显示输出功率范围是从1马力到水轮可能输出的60马力;它们也确定了要达到效率,水应该从叶轮上尽可能光滑地流过,并以最小的速度流走,释放水的几乎所有动能。
这个句子的主要修饰成分就是介词短语、非谓语动词、从句,大家务必想清楚,每一个修饰成分修饰的是什么,才能看清楚这个句子的结构。
托福考试阅读资料模拟试题及答案
The year 1850 may be considered the beginning of a new epoch in America art, with respect to the development of watercolor painting. In December of that year, a group of thirty artists gathered in the studio of John Falconer in New York City and drafted both a constitution and bylaws, establishing The Society for the Promotion of Painting in Water Color. In addition to securing an exhibition space in the Library Society building in lower Manhattan, the society founded a small school for the instruction of watercolor painting. Periodic exhibitions of the members' paintings also included works by noted English artists of the day, borrowed from embryonic private collections in the city. The society's activities also included organized sketching excursions along the Hudson River. Its major public exposure came in 1853, when the society presented works by its members in the "Industry of All Nations" section of the Crystal Palace Exposition in New York.
The society did not prosper, however, and by the time of its annual meeting in 1854 membership had fallen to twenty-one. The group gave up its quarters in the Library Society building and returned to Falconer's studio, where it broke up amid dissension. No further attempt to formally organize the growing numbers of watercolor painters in New York City was made for more than a decade. During that decade, though, Henry Warren's Painting in Water Color was published in New York City in 1856 — the book was a considerable improvement over the only other manual of instruction existing at the time, Elements of Graphic Art, by Archibald Roberson, published in 1802 and by the 1850's long out of print.
In 1866 the National Academy of Design was host to an exhibition of watercolor painting in its elaborate neo-Venetian Gothic building on Twenty-Third Street in New York City. The exhibit was sponsored by an independent group called The Artists Fund Society. Within a few months of this event, forty-two prominent artists living in and near New York City founded The American Society of Painters in Water Colors.
1. This passage is mainly about
(A) the most influential watercolor painters in the mid-1800's
(B) efforts to organize watercolor painters in New York City during the mid-1800's
(C) a famous exhibition of watercolor paintings in New York City in the mid-1800's
(D) styles of watercolor painting in New York City during the mid-1800's
2. The year 1850 was significant in the history of watercolor painting mainly because
(A) a group of artists established a watercolor painting society
(B) watercolor painting was first introduced to New York City
(C) John Falconer established his studio for watercolor painters
(D) The first book on watercolor painting was published
3. The word "securingV得到,获得" in line 5 is closest in meaning to
(A) locking
(B) creating
(C) constructing
(D) acquiring
4. All of the following can be inferred about the Society for the promotion of Painting in Watercolor EXCEPT:
(A) The society exhibited paintings in lower Manhattan.
(B) Instruction in watercolor painting was offered by members of the society
(C) The society exhibited only the paintings of its members.
(D) Scenes of the Hudson River appeared often in the work of society members.
5. The exhibition at the Crystal Palace of the works of the Society for the Promotion of Painting in Watercolor was significant for which of the following reasons?
(A) It resulted in a dramatic increase in the popularity of painting with watercolor.
(B) It was the first time an exhibition was funded by a private source.
(C) It was the first important exhibition of the society's work.
(D) It resulted in a large increase in the membership of the society.
6. The word "it" in line 15 refers to
(A) time
(B) group
(C) building
(D) studio
7. Which of the following is true of watercolor painters in New York City in the late 1850's?
(A) They increased in number despite a lack of formal organization.
(B) They were unable to exhibit their paintings because of the lack of exhibition space.
(C) The Artists Fund Society helped them to form The American Society of Painters in Water Colors.
(D) They formed a new society because they were not allowed to join groups run by other kinds of artists.
8. Henry Warren's Painting in Water Color was important to artists because it
(A) received an important reward
(B) was the only textbook published that taught painting
(C) was much better than an earlier published fundamental of instruction
(D) attracted the interest of art collectors
9. The word "considerable" in line 19 is closest in meaning to
(A) sensitive
(B) great
(C) thoughtful
(D) planned
10. The year 1866 was significant for watercolor painting for which of the following reasons?
(A) Elements of Graphic Art was republished.
(B) Private collections of watercolors were first publicly exhibited.
(C) The neo-Venetian Gothic building on Twenty-Third Street in New York City was built.
(D) The National Academy of Design held an exhibition of watercolor paintings.
11. The word "prominent" in line 25 is closest in meaning to
(A) wealthy
(B) local
(C) famous
(D) organized
答案:
BADCC BACBD C
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